Nothing sums up the artful, near-pretentious confidence of Signalis better than how some players are going to miss its final act and they won’t realise. I won’t go into spoilers, but this retro-futuristic survival horror game—which plays like an art-house cinema mashup of classic Resident Evil, classic Metal Gear Solid, and the ever under-appreciated Eternal Darkness—has a fake out ending. This design choice is bold, assertive, and a little strange, a trio of adjectives which represent the game well.
WHAT ANDROIDS DREAM
The first wave of my enthusiasm towards Signalis peaked during the impressively confident first hour and a half. From the menu screen, with its cathode-ray-tube visuals and clacking sound of its slowly-revealing text, to the opening screens of the game itself, with their ...